Séminaire Esthétique, musicologie, danse et création musicale
Université Paris 8
Premier semestre 2011
* Lundi 10 janvier, 18h, salle A010
Angelo Orcalli, Université d’Udine (Italie) :
« Cybernétique et théorie de l’information dans la musique expérimentale des années 1950 et 1960 »
Répondants : Christian Corre, Antonio Laï, Ivanka Stoïanova, Gianfranco Vinay
* Jeudi 24 février, 18h, Amphi X
Philip Mead, pianiste et chercheur à l’université Hertfordshire (Angleterre) ;
Concert-lecture : « Le piano étendu »
Programme du concert : Horacio Vaggione : Till ; George Crumb : Makrocosmos 2 (1-4)
; Pascal Dusapin : Étude 1 ; Jonathan Harvey ; Tombeau de Messiaen ; Horacio
Vaggione : Gymel 4 ; Rob Godman, Duel ; Simon Emmerson : Piano Piece 4
Répondants : Horacio Vaggione, Anne Sedes, Makis Solomos
* Mercredi 23 mars, 18h, salle A0162
Barbara Glowczewski, directrice de recherche au laboratoire d’anthropologie sociale du Collège de France : autour du film de Sandrine Loncke, La danse des Wodaabe, 90’, 2010.
Répondants : Rosalia Martinez, Sandrine Loncke.
* Jeudi 26 mai , 18h, salle A0162
Vincenzo Caporaletti, Università degli studi di Macerata (Italie) :
« Musiques modernes et audiotactilité »
Répondants : Guillaume Loizillon, Philippe Michel, Frédéric Saffar
* Lundi 20 juin, 18h, salle A010
Carlo Severi, Collège de France :
« Images de la voix : une approche anthropologique »
Répondants : Giordano Ferrari, Joël Heuillon, Olga Moll
E.A. 1572 Esthétique, musicologie, danse et création musicale
Coordination : Giordano Ferrari, Makis Solomos
Contact : musique@univ-paris8.fr
Actualités de la recherche en danse
lundi 3 janvier 2011
SEMINAIRE
La prochaine réunion du séminaire « Figures du geste dansé : mythes, identités, interprétations » aura lieu ce vendredi 7 janvier, de 17h à 19h, dans les locaux du CEHTA, 2 rue Vivienne, 75002 Paris
Présentation suivie d'une discussion :
Mélanie Perrier, « Partitions et gestes »
Résumé de l¹intervention sur le blog : http://figuresdugestedanse.blogspot.com
Pour consulter ou diffuser des informations relatives au séminaire (annonces
d'évènements, références bibliographiques) : http://groups.google.com/group/figures-du-geste-danse
Présentation suivie d'une discussion :
Mélanie Perrier, « Partitions et gestes »
Résumé de l¹intervention sur le blog : http://figuresdugestedanse.blogspot.com
Pour consulter ou diffuser des informations relatives au séminaire (annonces
d'évènements, références bibliographiques) : http://groups.google.com/group/figures-du-geste-danse
lundi 13 décembre 2010
PARUTION
Nous avons le plaisir de vous informer de la sortie du dernier numéro de la revue Hermès (n° 57 - "Sciences.com") consacré à l'information scientifique sur Internet, aux enjeux du "libre accès" et à la concurrence avec les revues papier.
Ce volume de 240 pages a été dirigé par Joëlle Farchy, Pascal Froissart et Cécile Méadel.
Il peut être acheté en ligne sur le site de CNRS Editions ou en envoyant un email à sabine lavaud, au prix de 25 euros.
INVITATION
INVITATION FOR APPLICATION
BA CONTEMPORARY DANCE, CONTEXT, CHOREOGRAPHY
Degree: Bachelor of Arts
Study language: German and English
Beginning: Winterterm 2011/ 12 (3rd October 2011)*
Application deadline: January 15th 2011
Admission Exams: April 4th to 10th, 2011 in Berlin
*subject to approval by the responsible senate administration
The Bachelor of Arts Contemporary Dance, Context, Choreography programme offers a practice-oriented education over a period of six semesters.
The course offers students the opportunity to educate and prepare themselves for an artistic and creative activity in the field of contemporary dance and choreography. The programme is realized in close interaction with practitioners from Berlin’s artistic context, and in cooperation with the HZT’s MA programmes (MA Solo/Dance/Authorship and MA Choreography) and international guest teachers.
The curriculum’s core is a structure made up of intensive block seminars taught by local and international artists and theoreticians and is continually accompanied by members of the HZT staff.
A strong focus of the course is placed onto the students’ own artistic undertaking in student project work. The course calls for students to work independently on artistic and theoretical projects, and to take on responsibility for project work in groups.
The degree programme’s objective is to educate artists who can articulate and realize their own ideas and notion of dance as an art form and to thereby provoke new impulses in this fascinating and constantly changing artistic environment.
Modules
• Modes of Dance and Training
• Movement-Analysis and Theories of the Body
• Other Art-Disciplines / Art-Theory
• Documentation / Communication
• Choreography / Composition
• Project Work
Further Information and admission form: www.hzt-berlin.de or www.udk-berlin.de/sit...
Contact: Prof. Nik Haffner
CALL FOR PAPER
Deadline for submissions: 5 February 2011
International Conference on Arts, Ideas, and the Baroque
Hosted by the Institute for the Public Life of Arts and Ideas, McGill University
in collaboration with the Montréal Baroque Festival
24-26 June 2011
2011 Theme: Deadly Sins
CALL FOR PAPERS
This conference seeks to examine the baroque’ in the early modern world as well as its echoes and resonances across time. Defined differently by different academic traditions, the notion of the baroque remains a point of reference as well as contention, and a signifier of cultural legacy as well as innovation -- as in the notion of the neo-baroque’. We propose to investigate the rich artefacts, representations, and influence of the era-particularly around the theme of Deadly Sins (also the theme of the 2011 Montréal Baroque Festival to be held in conjunction with this conference). We invite papers which address interdisciplinary scholarship and make new connections between research fields. Proposals from scholars working in all disciplines might address, but are not limited to, the following fields:
Musicology and Music Performance
Law and Legal History
Social and Cultural History
Literature
Architecture and Design
Theatre and Performance
Art History
Religious Studies
History of Science and Medicine
Philosophy
Proposals for complete panels as well as for individual papers in English or French are welcome. Researchers are invited to submit abstracts of no more than 250 words, and brief (2 page) cvs to: baroque at mcgill.ca. Deadline for submissions: 5 February 2011.
IPLAI is a new undertaking by McGill University's Faculties of Arts, Education, Law, Management and Religious Studies and the Schools of Architecture and Music. Its goals are to foster collaborative, interdisciplinary scholarship and teaching in the humanities, to reinvigorate the place of humanities scholarship in public discourse, and to examine the life of ideas across time.
The Montreal Baroque Festival is a unique festival celebrating the creativity, expressiveness and inspiration of music-making in the seventeenth and eighteenth centuries. The chapels, crypts, chateaux, cafes, cellars, attics, gardens and streets of Old Montreal are brought to life with operas, oratorios, recitals, improvisations and jam sessions performed by an international roster of brilliant musicians.
Conference Registration Fee: $60 (faculty); $25 (students)
Online registration will open March 2011
International Conference on Arts, Ideas, and the Baroque
Hosted by the Institute for the Public Life of Arts and Ideas, McGill University
in collaboration with the Montréal Baroque Festival
24-26 June 2011
2011 Theme: Deadly Sins
CALL FOR PAPERS
This conference seeks to examine the baroque’ in the early modern world as well as its echoes and resonances across time. Defined differently by different academic traditions, the notion of the baroque remains a point of reference as well as contention, and a signifier of cultural legacy as well as innovation -- as in the notion of the neo-baroque’. We propose to investigate the rich artefacts, representations, and influence of the era-particularly around the theme of Deadly Sins (also the theme of the 2011 Montréal Baroque Festival to be held in conjunction with this conference). We invite papers which address interdisciplinary scholarship and make new connections between research fields. Proposals from scholars working in all disciplines might address, but are not limited to, the following fields:
Musicology and Music Performance
Law and Legal History
Social and Cultural History
Literature
Architecture and Design
Theatre and Performance
Art History
Religious Studies
History of Science and Medicine
Philosophy
Proposals for complete panels as well as for individual papers in English or French are welcome. Researchers are invited to submit abstracts of no more than 250 words, and brief (2 page) cvs to: baroque at mcgill.ca. Deadline for submissions: 5 February 2011.
IPLAI is a new undertaking by McGill University's Faculties of Arts, Education, Law, Management and Religious Studies and the Schools of Architecture and Music. Its goals are to foster collaborative, interdisciplinary scholarship and teaching in the humanities, to reinvigorate the place of humanities scholarship in public discourse, and to examine the life of ideas across time.
The Montreal Baroque Festival is a unique festival celebrating the creativity, expressiveness and inspiration of music-making in the seventeenth and eighteenth centuries. The chapels, crypts, chateaux, cafes, cellars, attics, gardens and streets of Old Montreal are brought to life with operas, oratorios, recitals, improvisations and jam sessions performed by an international roster of brilliant musicians.
Conference Registration Fee: $60 (faculty); $25 (students)
Online registration will open March 2011
APPEL A CONTRIBUTION
Danse et littérature : usages de la métaphore
Université de Saint-Denis–Paris VIII et Université de la Sorbonne–Paris IV
Journées d'études interdisciplinaires organisées avec le soutien de l'équipe « littératures françaises du
XXe siècle » (EA 2577) de Paris IV et des équipes « littérature et histoires » (EA 1579) et « esthétique, musicologie et créations musicales » (EA 1572 / laboratoire d'analyse des discours et pratiques du champ chorégraphique) de Paris VIII.
Vendredi 13 mai 2011, salle D035, Maison de la recherche de l'Université de la Sorbonne-Paris IV
Samedi 14 mai 2011, salle D002, Université de Saint-Denis-Paris VIII.
L'appel à com' est à télécharger sur le site.
Université de Saint-Denis–Paris VIII et Université de la Sorbonne–Paris IV
Journées d'études interdisciplinaires organisées avec le soutien de l'équipe « littératures françaises du
XXe siècle » (EA 2577) de Paris IV et des équipes « littérature et histoires » (EA 1579) et « esthétique, musicologie et créations musicales » (EA 1572 / laboratoire d'analyse des discours et pratiques du champ chorégraphique) de Paris VIII.
Vendredi 13 mai 2011, salle D035, Maison de la recherche de l'Université de la Sorbonne-Paris IV
Samedi 14 mai 2011, salle D002, Université de Saint-Denis-Paris VIII.
L'appel à com' est à télécharger sur le site.
SEMINAIRE
Prochain séminaire du GRIMAS
Vocabulaire analytique de la musique baroque
Groupe de Recherche Interdisciplinaire sur la Musique et les Arts du Spectacle
Équipe Patrimoine et Langages Musicaux, Paris-IV EA 4087
Direction : Raphaëlle Legrand (Paris-IV) et Bertrand Porot (Université de Reims)
Samedi 11 décembre 2010
10h - 13h
Université Paris-IV, site Malesherbes
108 boulevard Malesherbes, métro Malesherbes ou Villiers
Amphi 120
Vocabulaire analytique de la musique baroque
Groupe de Recherche Interdisciplinaire sur la Musique et les Arts du Spectacle
Équipe Patrimoine et Langages Musicaux, Paris-IV EA 4087
Direction : Raphaëlle Legrand (Paris-IV) et Bertrand Porot (Université de Reims)
Samedi 11 décembre 2010
10h - 13h
Université Paris-IV, site Malesherbes
108 boulevard Malesherbes, métro Malesherbes ou Villiers
Amphi 120
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