PRÉPAREZ L’ÉTÉ : COLLOQUES ET CONFÉRENCES INTERNATIONALES (juin/juillet)

JUIN 2013

Isadora Duncan International Symposium
“The Dance of the Future: Cultivating Duncan Dance for the 21st Century”

Dates : 16-18 juin 2013
Lieu : George Washington University, EU
Washington, DC

Web : http://duncansymposium.com/

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JUILLET  2013

35th World Congress on Dance Research

En partenariat avec l'International Dance Council (UNESCO)

Dates : 24-28 juillet 2013
Lieu : Athènes, Grèce 

Web : http://cid-portal.org/cdr/athens2013/

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JUILLET  2013

Healthy Dance Practice and Performance
International Association for Dance Medicine and Science

Date : 14 juillet
Lieu : Seattle, Washington, USA
Web : http://www.iadms.org/displaycommon.cfm?an=1&subarticlenbr=386

The IADMS course Healthy Dance Practice and Performance will offer a day of sessions that provide the basic essentials and practical strategies for designing and delivering dance training that promotes the dancer’s health and well-being. 

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JUILLET  2013

Dance & Somatic Practices Conference 2013
Attending to movement: Somatic perspectives on 

living in this world

Date : 12-14 juillet 

Lieu :  Coventry University School of Art & Design

             Centre for Dance Research (C-DaRE)

Convened by Professor Sarah Whatley,
Dr Natalie Garrett Brown and Ms Kirsty Alexander

Confirmed Keynote contributions from 

Carol Brown (Carol Brown Dances / University of Auckland | University of Roehampton)

Rebecca Nettl-Fiol and Jan Erkert (University of Illinois at Urbana-Champaign)

This three-day event, presented in collaboration with  : Independent Dance (London), invites somatic practitioners, dance artists and scholars from a range of subject domains  to transverse discipline borders and investigate the approaches  that embodied thinking and action can afford to philosophical and socio-cultural inquiry.

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JOURNÉE D'ETUDES

L’Arsenal, haut lieu de la préciosité ? 

Journée d'étude suivie du spectacle Il était un jour à l’Arsenal… 

Date : Lundi 13 mai 2013 9h30-20h00

Lieu : Bibliothèque de l'Arsenal
1, rue de Sully - Paris 4e

9h30 - 18h Journée d’étude
L’Arsenal, haut lieude la préciosité ?
Journée d’étude présidée par Delphine Denis et Catherine Massip.
suivie d'une conférence-spectacle Le maître de chant et les Divines : Sébastien LeCamus et les Précieuses à l’Arsenal par Martine Lefèvre et Frédéric Michel.

18h30 - 20h Spectacle
Il était un jour à l’Arsenal…
Spectacle de Nicole Rouillé et Frédéric Michel.

Adresses et transports - Arsenal

entrée libre sur réservation obligatoire au 01 53 79 49 49

OFFRE d'EMPLOI au ROYAUME-UNI, PROFESSOR of DANCE

Faculty of Arts and Sciences

Profil : Professor of Dance (full time)

Lieu : Edge Hill University, Ormskirk, Royaume-Uni

Deadline : 31 mai 

Web : http://www.edgehill.ac.uk/vacancies/details/EHP0025-0513

Consulter la fiche du poste 

Edge Hill University is one of the fastest growing universities in the United Kingdom and has been providing higher education for over 125 years, based on an ethos of opportunity through excellence. The past five years have seen student applications double, turnover increase at a rate of around 20% per annum, and an investment of £130m on campus. Edge Hill is a dynamic and ambitious university with a clear sense of direction, a commitment to enhancing its reputation, and with significant resources to invest in its future.

The Faculty of Arts & Sciences is a diverse grouping of academic and professional traditions, with a strong sense of identity and a fast-growing reputation for its research and teaching. A number of openings have arisen for highly motivated and enthusiastic individuals to join the Faculty. We are particularly keen to continue to build our research capacity, and welcome applications from established researchers or those committed to developing their research careers. 

The University is seeking to appoint to an Established Chair in Dance within the Faculty of Arts and Sciences. Candidates are expected to have strong research and teaching profiles, a successful track record in research income generation, experience of supervising doctoral students and an ability to contribute to the research mentoring of staff as appropriate across the Faculty. Experience of conducting doctoral vivas and of the external examining of research students is also required. You will be an excellent communicator with previous teaching experience at undergraduate level, and should have a positive attitude to the teaching and research goals of the Department. 

For informal enquiries about any of these vacancies, you may wish to contact Professor George Talbot, Pro Vice-Chancellor and Dean of Arts & Sciences, at George.Talbot@edgehill.ac.uk

Ref: EHP0025-0513

Closing Date: 31 May 2013

Date Posted: 3 May 2013

More Information

Please send completed applications by e-mail to application@edgehill.ac.uk or to Human Resources, Edge Hill University, St Helens Road, Ormskirk, Lancashire, L39 4QP.

CONFÉRENCES / SPECTACLES, Cycle "Danse", La Soffitta, Université de Bologne (It.)

Programme de la "petite saison" dédiée à la danse organisé par la Soffitta, 

7 au 10 Mai 2013

Bologne, Italie

DANZA
a cura di Elena Cervellati

La rassegna dedicata alla danza dalla Soffitta 2013 raccoglie e rilancia un’esigenza sempre più sentita dai coreografi di oggi, quella di mantenere vivi e visibili nel tempo i frutti del proprio lavoro creativo.

Stimolo iniziale è stato un progetto ideato e diretto da Marinella Guatterini, RIC.CI - Reconstruction Italian Contemporary Choreography, che si propone di riprendere e fare circuitare alcune esemplari creazioni nate in Italia tra gli anni Ottanta e Novanta del Novecento. Tra queste, il titolo scelto per aprire la rassegna è Calore, di Enzo Cosimi: risalente all’ormai lontano 1982, è rifiorito nella versione che ha debuttato al Teatro Comunale di Ferrara nel marzo dello scorso anno (martedì 7 e mercoledì 8 maggio).

Tra un passato nutriente e vivo e un presente pulsante e in fieri si muovono pure le scelte della americana UCSB Dance Company, che in un programma composito, intitolato ARC: Featuring American Danceworks, unisce alcune nuovissime creazioni, nate per gli attuali danzatori della compagnia, a due ricostruzioni di titoli risalenti agli anni Sessanta e Settanta e appartenenti a quello che in effetti è ormai un vero e proprio repertorio della modern-dance: Psalm (1967), di Josè Limón, e Shaker Life (1972), di Donald McKayle (venerdì 10 maggio).

Completa la rassegna una tavola rotonda che si propone di riflettere intorno ai temi messi in campo dagli spettacoli in un confronto tra artisti, critici, studiosi e pubblico, nella convinzione che mettere in relazione visioni e parole sia fonte di cortocircuiti sempre benefici e talvolta illuminanti (giovedì 9 maggio).

ATTENZIONE: la replica di La stanza del principe, con Enzo Cosimi, prevista per mercoledì 8 maggio, verrà sostituita da una replica di Calore Leggi la presentazione completa de progetto : http://www.dar.unibo.it/it/ricerca/centri/soffitta/2013/danza/index.html>

martedì 7 e mercoledì 8 maggio, ore 21 | Laboratori delle Arti/teatro
Compagnia Enzo Cosimi
CALORE
(1982-2012)
regia, coreografia, scena, costumi Enzo Cosimi | musica Branca, Britten, Liquid-Liquid, Watson, musica popolare africana | disegno luci Stefano Pirandello | abito Gianni Serra | gioiello Cristian Dorigatti | interpreti Francesco Marilungo, Riccardo Olivier, Francesca Penzo, Alice Raffaelli
Leggi la presentazione completa dello spettacolo<http://www.dar.unibo.it/it/ricerca/centri/soffitta/2013/danza/calore>

giovedì 9 maggio, ore 10 | Salone Marescotti
LA DANZA RITROVATA
Tavola rotonda
intervengono Eugenia Casini Ropa (Università di Bologna), Elena Cervellati (Università di Bologna), Alice Condodina (UCSB Dance Company), Enzo Cosimi (Compagnia Enzo Cosimi), Marinella Guatterini (Il Sole 24 ore-Domenica), Stefano Tomassini (Università Ca’ Foscari, Venezia) | INGRESSO LIBERO
Leggi il programma completo della tavola rotonda<http://www.dar.unibo.it/it/ricerca/centri/soffitta/2013/danza/la-danza-ritrovata>

venerdì 10 maggio, ore 21 | Laboratori delle Arti/teatro
University of California Santa Barbara Dance Company
ARC: FEATURING AMERICAN DANCEWORKS
direzione artistica Delila Moseley | danzatori Meredith Cabaniss, Brendon Chan, Sarah Eichler, Chelsea Hammond, Genevieve Hand, Yvette Johnson, Kelly Marshall, Sean Nederlof, Salinda Nichols, Alannah Pique, Megan Ragland, Aly Romano, Dani Ziff | coreografie: Deep Currents (2012), Nancy Colahan; Shaker Life (1972), Donald McKaylel; Strange Boat (1995), Jerry Pearson; Black Earth (2012), Valerie Huston; estratti da Psalm (1967), José Limón; A Drowned Glimmer of Innocence (2013), Peter Pucci; The Space Between Us (2013), Christopher Pilafian | INGRESSO GRATUITO

a seguire
INCONTRO CON UCSB DANCE COMPANY
coordina Elena Cervellati

Scarica il programma completo La Soffitta 2013<http://www.dar.unibo.it/it/risorse/files/eventi/2012/la-soffitta/libretto-la-soffitta-2013>

Laboratori delle Arti piazzetta P. P. Pasolini 5/b (ingresso via Azzo Gardino 65), Bologna
Salone Marescotti via Barberia 4, Bologna
info 051 2092400/10 | www.dar.unibo.it

http://www.dar.unibo.it/

 soffitta.dar.unibo.it

http://soffitta.dar.unibo.it/

COLLOQUE

SYMPOSIUM On Collaboration II - Updates - Registration Deadline 12 May

18 May 2013, Middlesex University, Hendon, London

The Theatre Arts Department, School of Media & Performing Arts at Middlesex University, with support from the Dance Department at University Campus Suffolk, will be hosting the second symposium on collaboration in performance practice, with a specific focus on the politics of collaboration. The event will take place on Saturday, 18 May 2013 at Middlesex University, Hendon Campus, North London.

The symposium features a range of research papers and practice interventions, and includes performance installations by Angela Woodhouse and Henrietta Hale, as well as Jane Bacon and Vida Midgelow. Gerard Bell and Karen Christopher will be performing their work So Below (Haranczak/Navarre Performance Projects) to conclude the event.

KEYNOTES:

Simon Murray. "Lightness of touch: politics and embodiment in collaboration"

Rosemary Butcher and Susan Melrose. A dialogue. "Just in time: collaborative memory work and judgement in dance-making practices"

PLENARY PANEL includes:

Mark Franko, Simon Murray, Carole-Anne Upton

CONTRIBUTORS include:

Jane Bacon, Jo Breslin, Julie Brixey-Williams, Camilla Brueton, Jane Carr, Noyale Colin, Jill Cowley, Campbell Edinborough, Steve Fossey, Sara Giddens, Mariella Greil, Simon Jones, Simon Kennedy, Beverley Hood, Ola Johansson, Mark James Hamilton, Tim Jeeves, Alexandra Kolb, Deirdre McLaughlin, Freddie Opoku-Addaie, Adrian Palka, Eugenie Pastor, Ailsa Richardson, David Roberts, Martina Ruhsam, Stefanie Sachsenmaier, Rajni Shah, Pedro De Senna, Theron Schmidt, Arabella Stanger, Stephanie Schober, Tuuli Tahko, Stuart Tait, Leigh Tredger, Caroline Younger

The symposium specifically focuses on the politics of collaborative practice in performance-making and related disciplinary areas, addressing issues such as:

• The politics of working together: relationships between collaborators at work

• Modes of performance-making: the ongoing search for alternative modes of work

• Identity and performance: going beyond oneself in contemporary contexts

• Theorising collaboration: matters of authorship in a networked age

• Collaboration across disciplinary and cultural boundaries

Further information can be accessed on the symposium website, including a SCHEDULE (subject to change), with more updates to follow:http://mdxoncollaboration.blogspot.co.uk/

REGISTRATION IS OPEN, please book via http://www.eventbrite.co.uk/event/5912346989

Please note that the fees include full catering for the day.

Location details of Middlesex University, Hendon Campus: 

http://www.mdx.ac.uk/aboutus/Location/hendon/index.aspx

Publication

The Body: Indian Theatre Special Issues

Two rare collections of essays on Interdisciplinary scholarship and transnational performance research
Guest-Editor: Sreenath Nai
University of Lincoln

The Intellect journal of Studies in South Asian Film and Media brings out two extraordinary volumes on Indian Theatre with special focus on the body (Vol.4: 2 & 5:1)

The body is central to Indian discourse and practice. From religion through philosophy, aesthetics, martial arts, medicine and performance practice, Indian knowledge is about the knowledge of the body. Indian systems of knowledge give great emphasis to the objective and corporeal aspects of physical techniques, training and performance practice. Similarly, the body is understood equally as a site of ‘symbolic appearance’ in everyday life as well as in performance practice, where the presence of the body is marked by the absent ‘real’. The consumption of the body as a symbolic appearance is deeply embedded in Indian thoughts and performance practice: in the religio-spiritual traditions, the body is a means of attaining enlightenment; in the Natyasastra it is an illusory mechanism for the actor’s symbolic appearance and allows the audience to access rasa, the aesthetic experience of performance; in medicine, the body is the site of pleasure, and sickness and disease are hindrances to the pleasures experienced by the bodily organism. The body is always about practice and the practice is the only way to access the body. The practice provides techniques and principles that are objects of symbolic exchange in performance. In this way, the performer’s body is a site of techniques and corporeal principles that generates and reorganizes the artistic (symbolic) practice. The world of performance, therefore, is a scheme of bodily practice constituted by the corporeal techniques and principles that are systematically inscribed in the actor’s body. Training is a bodily involvement of practice, and a process of inscribing the ‘illusory’ drive’ in the performer’s body. Training is a pre-performative process, which formulates the ‘expressive order’ of the body, and stimulates and prepares it for the performance. The body is the only medium to access the body. Practice helps the very functioning of the corporeal logic and the perceptual demand of the body in performance.

Journées d'études : Documenter, recréer… Mémoires et transmissions des oeuvres performatives et chorégraphiques contemporaines (QC)

Journées d’étude: 

«Documenter, recréer… 

Mémoires et transmissions des oeuvres performatives et chorégraphiques contemporaines»

Dates : 2 -4 mai 2013
Lieu : Cinémathèque québécoise

Salle Fernand Seguin
335, boulevard de Maisonneuve Est
Montréal, QC Canada
H2X 1K1 

Web : http://www.evenements.uqam.ca/?com=detail&eID=187031


Trois journées d’étude autour de la préservation et de la transmission de l’art de la performance et de la danse contemporaine. Sous la direction d’Anne Bénichou, avec la collaboration de Marc Boivin, de Ginelle Chagnon et de Theresa Rowat.

La Fondation Jean-Pierre Perreault et l’Institut du patrimoine de l’Université du Québec à Montréal ont le plaisir de vous convier à trois journées d’étude sur la mémoire et la transmission des œuvres performatives et chorégraphiques contemporaines, les 2, 3 et 4 mai 2013, à la Cinémathèque québécoise. L’entrée est libre.

Une vingtaine de théoriciens et de professionnels, nationaux et internationaux, issus des deux disciplines artistiques, l’art de la performance et la danse contemporaine, se rencontreront dans la perspective de mettre en dialogue les conceptions et les pratiques de préservation et de transmission propres à ces domaines.

Ces journées d’étude sont le fruit d’un partenariat de la Fondation Jean-Pierre Perreault et de l’Institut du patrimoine de l’Université du Québec à Montréal. La Fondation Jean-Pierre Perreault est un organisme voué à la valorisation du patrimoine chorégraphique contemporain québécois, à sa documentation et à sa transmission. L’Institut du patrimoine de l’UQAM regroupe des membres du corps professoral et des équipes de recherche dont les travaux portent sur les savoirs, les objets du patrimoine matériel et immatériel et les processus de patrimonialisation. Il poursuit une tradition de partenariat avec le milieu dans la recherche ou dans l’offre d’expertise en matière de patrimoine.

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