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Actualités de la recherche en danse
dimanche 30 août 2009
PUBLICATIONS EN ALLEMAND
Laurence Louppe, Poetik des zeitgenössischen Tanzes (übersetzt aus dem Französischen von Frank Weigand)
Juli 2009, 340 S., kart., 29,80 €
ISBN 978-3-8376-1068-0
http://www.transcript-verlag.de/ts1068/ts1068.php
Pirkko Husemann, Choreographie als kritische Praxis. Arbeitsweisen bei Xavier Le Roy und Thomas Lehmen
Juli 2009, 280 S., kart., zahlr. Abb., 28,80 €
ISBN 978-3-89942-973-2
http://www.transcript-verlag.de/ts973/ts973.php
Juli 2009, 340 S., kart., 29,80 €
ISBN 978-3-8376-1068-0
http://www.transcript-verlag.de/ts1068/ts1068.php
Pirkko Husemann, Choreographie als kritische Praxis. Arbeitsweisen bei Xavier Le Roy und Thomas Lehmen
Juli 2009, 280 S., kart., zahlr. Abb., 28,80 €
ISBN 978-3-89942-973-2
http://www.transcript-verlag.de/ts973/ts973.php
COLLOQUE
En attendant la Biennale de la Danse 2010, la Biennale de la Danse de Lyon et le Conseil des Arts de Montréal présentent dans le cadre des 22e Entretiens du Centre Jacques Cartier :
Espaces de la Danse
au Studio de l'Opéra National de Lyon (France)
LUNDI 30 NOVEMBRE 2009
Avec des intervenants d'Amérique du Nord, du Brésil et d'Europe,
le colloque « Espaces de la danse » pose la question de la représentation de la danse dans d'autres espaces que la scène et explore les multiples formes de représentation permettant à la danse contemporaine d'aller à la rencontre du public.
Pour vous inscrire, renvoyez le bulletin d'inscription ci-joint avant le 15 septembre 2009 à l'adresse suivante : nathalie.boutinaud@univ-lyon2.fr
Espaces de la Danse
au Studio de l'Opéra National de Lyon (France)
LUNDI 30 NOVEMBRE 2009
Avec des intervenants d'Amérique du Nord, du Brésil et d'Europe,
le colloque « Espaces de la danse » pose la question de la représentation de la danse dans d'autres espaces que la scène et explore les multiples formes de représentation permettant à la danse contemporaine d'aller à la rencontre du public.
Pour vous inscrire, renvoyez le bulletin d'inscription ci-joint avant le 15 septembre 2009 à l'adresse suivante : nathalie.boutinaud@univ-lyon2.fr
CALL FOR CONTRIBUTIONS
Autumn/Winter 2009 issue – Extended deadline for contributions 31st July 2009
Dancing Economies
As world economies flounder and we enter into a dramatic financial downturn it seems apt that we should reflect upon the relationships between dance and the economy. In locating the economic (as well as social and cultural) dimensions of dance as part of the creative economy what issues arise? How does this current climate affect your work?
Areas you might consider include:
- How do you sustain your practice, company, scholarship?
- What are the effects of the current economic climate on dance? On dance programmes? On universities and other institutions?
- In what ways does dance contribute to the economy?
- What are the intersections between dance and finance?
- What is the marketability of dance?
- What are the wider ‘economies’ of dance? What ‘economies’ does dance create or exist within?
Submissions may be up to 3000 words and can be in many formats- from images to performative musings, discoursive commentaries to dialogues.
We also welcome Photographic Images to grace our pages.
Please send all contributions to the editor:
Dr. Vida Midgelow
Reader, Dance and Performance Studies
School of the Arts, University of Northampton, Avenue Campus, Northampton, United Kingdom, NN2 6JD
Email: vida.midgelow@northampton.ac.uk
Dancing Economies
As world economies flounder and we enter into a dramatic financial downturn it seems apt that we should reflect upon the relationships between dance and the economy. In locating the economic (as well as social and cultural) dimensions of dance as part of the creative economy what issues arise? How does this current climate affect your work?
Areas you might consider include:
- How do you sustain your practice, company, scholarship?
- What are the effects of the current economic climate on dance? On dance programmes? On universities and other institutions?
- In what ways does dance contribute to the economy?
- What are the intersections between dance and finance?
- What is the marketability of dance?
- What are the wider ‘economies’ of dance? What ‘economies’ does dance create or exist within?
Submissions may be up to 3000 words and can be in many formats- from images to performative musings, discoursive commentaries to dialogues.
We also welcome Photographic Images to grace our pages.
Please send all contributions to the editor:
Dr. Vida Midgelow
Reader, Dance and Performance Studies
School of the Arts, University of Northampton, Avenue Campus, Northampton, United Kingdom, NN2 6JD
Email: vida.midgelow@northampton.ac.uk
CALL FOR CONTRIBUTIONS
Call for Contributions: Choreographic Practices
Choreographic Practices
A new journal published by Intellect.
Choreographic Practices is an international, peer-reviewed biannual journal edited by Vida L. Midgelow and Jane M. Bacon.
Choreographic Practices operates from the principle that dance embodies ideas and can be productively enlivened when considered as a mode of critical and creative discourse. The journal provides a platform for sharing choreographic practices, critical inquiry and debate.
Placing an emphasis on processes and practices, over products, this journal seeks to engender dynamic relationships between theory and practice, choreographer and scholar, such that these distinctions may be shifted and traversed.
Contributions are invited that articulate and explore choreographic practices from a diverse range of perspectives. The editors are especially interested in receiving critical/creative practice-led research that is interdisciplinary and experimental in nature.
Choreographic Practices will incorporate peer-reviewed materials, dialogues/interviews, and debate. Submissions in conventional and alternative modes of writing (including performative and visual essays) are encouraged.
Submission topics might include:
- Choreographic methodologies and practices
- Dance and interdisciplinarity
- Theatre, screen, sited or social movement practices
- Improvisation processes
- Dance and documentation
- Choreography as social, cultural and/or psychological concern
Choreographic Practices
A new journal published by Intellect.
Choreographic Practices is an international, peer-reviewed biannual journal edited by Vida L. Midgelow and Jane M. Bacon.
Choreographic Practices operates from the principle that dance embodies ideas and can be productively enlivened when considered as a mode of critical and creative discourse. The journal provides a platform for sharing choreographic practices, critical inquiry and debate.
Placing an emphasis on processes and practices, over products, this journal seeks to engender dynamic relationships between theory and practice, choreographer and scholar, such that these distinctions may be shifted and traversed.
Contributions are invited that articulate and explore choreographic practices from a diverse range of perspectives. The editors are especially interested in receiving critical/creative practice-led research that is interdisciplinary and experimental in nature.
Choreographic Practices will incorporate peer-reviewed materials, dialogues/interviews, and debate. Submissions in conventional and alternative modes of writing (including performative and visual essays) are encouraged.
Submission topics might include:
- Choreographic methodologies and practices
- Dance and interdisciplinarity
- Theatre, screen, sited or social movement practices
- Improvisation processes
- Dance and documentation
- Choreography as social, cultural and/or psychological concern
STAGE
Florence MEREGALLI donnera un stage de danse moderne du 24 au 27 Octobre prochain à Roissy-en-France (95).
APPEL A CONTRIBUTION
Please find below an invitation for submissions to our very own ISCH
publication series, published with Pickering & Chatto.
************************************************************
PICKERING & CHATTO
Studies in Cultural History
for the International Society of Cultural History
Series editors: Anu Korhonen and Birgitta Svensson
Published with the International Society for Cultural History,
Appel à télécharger sur le site de l'aCD
publication series, published with Pickering & Chatto.
************************************************************
PICKERING & CHATTO
Studies in Cultural History
for the International Society of Cultural History
Series editors: Anu Korhonen and Birgitta Svensson
Published with the International Society for Cultural History,
Appel à télécharger sur le site de l'aCD
TABLES RONDES
Dans le cadre du Festival N.A.M.E, du 18 au 27 septembre 2009 à Lille, est organisée une Table Ronde qui aura pour thème "Le corps Contemporain, le corps médico-sportif" en présence de spécialistes de renom : les philosophes Yves Michaud et Isabelle Quéval, Gérard Dine, hématologue et spécialiste du dopage, et de Emmanuel Cuisinier, chargé des arts visuels au Centre des Arts d'Enghien-les-Bains.
Cette Table Ronde aura lieu le vendredi 25 Septembre à 19h00 à la Gare Saint Sauveur à Lille (Halle A). Vous trouverez plus d'informations sur cette page : http://www.lenamefestival.com/NAME2009/tablesrondes.php
C'est un évènement bien sur gratuit et ouvert à tous.
Cette Table Ronde aura lieu le vendredi 25 Septembre à 19h00 à la Gare Saint Sauveur à Lille (Halle A). Vous trouverez plus d'informations sur cette page : http://www.lenamefestival.com/NAME2009/tablesrondes.php
C'est un évènement bien sur gratuit et ouvert à tous.
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