FETE DE LA SCIENCE
DANSE ET NUDITE
Le LABORATOIRE LORRAIN de SCIENCES SOCIALES (2L2S)
Dépt Arts (Metz)
Vous invite à une rencontre Dimanche 13 octobre 2013 à 14 h
(Muséum) 34, rue Saine Catherine Nancy
Actualités de la recherche en danse
jeudi 10 octobre 2013
mercredi 9 octobre 2013
COLLOQUES au ROYAUME-UNI
New Visions on dance
Samedi 12 octobre
Lieu : Grove Theatre, Middlesex University, Hendon Campus, The Burroughs, London NW4 4BTThis symposium seeks to testify to and anticipate the exciting new directions of dance scholarship and performance practice reflected in current research by doctoral candidates and early-career academics. We expect the discussions to explore how dance can create fluid and confronting intersections and interactions that (re)define and transform theoretical, methodological and performance frameworks. We expressly aim to foster and promote high-quality interdisciplinary research on dance both as a subject of theoretical enquiry and a practised art form. We aim to promote an informal atmosphere which fosters an inter-collegial exchange of perspectives.
The symposium will feature a keynote speech by Professor Christopher Bannerman, director of ResCen, a talk on publishing in journals by Professor Vida Midgelow, editor of Choreographic Practices, and a paper on ‘Entering the Academy’ byDr. Fiona Bannon, incoming Chair of DanceHE. A performance workshop led by performance and installation artist Richard Layzell, free to delegates, will round off the day. This will explore the dualities of the inner and the outer voice, innocence and improvisation, the present and the past, space and presence, humour and stillness.
Lire le programme
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British Dance and the African Diasporas - Roadshow Three
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British Dance and the African Diasporas - Roadshow Three
DanceXchange, Thorp Street, Birmingham, B5 4TB
Lieu : Birmingham (RU)
Free (but booking is essential)
Who: this event is aimed at dancers, dance students and researchers and anyone with an interest in the work of Black British dancers. Dancers are invited to take part in the class, non dancers are welcome to observe. You can attend all or parts of the programme.
This is the third Roadshow of the British Dance and the African Diasporas Research Project led by Christy Adair (York St John University) and Ramsay Burt (De Montfort University). The project aims to find new ways of generating and recording memories from those involved in professional dance activity. It seeks to celebrate the achievements of black dancers whose histories are often overlooked, to re-contextualise the work of Black British dancers and to add to the transatlantic knowledge of African cultural diasporas.
Roadshow Three will explore memories of those Black British dancers who were involved with dance since the 1970s with particular focus on Kokuma Dance Theatre Company and ACE dance and music "ACE dance and music look forward to participating in this dialogue celebrating the achievements of Black British dancers and choreographers. Birmingham was a key centre in the 1970s and 1980s in Britain for the development of African and Caribbean People's Dance and continues to be so, and thus we are excited that this event will now be taking place in ACE's home city." (Gail Parmel, Artistic Director of ACE dance and music)
14.15 – 15.45 Introduction: participate or observe Gail Parmel teaching open class with Music Director, Ian Parmel. Gail is Artistic Director of ACE dance and music which she founded with Ian Parmel in 1996 after working with Kokuma Dance Theatre Company. In 2011 she was nominated one of the Cultural Leadership Programme’s 50 Women to Watch and has now been voted as one of 20 inspirational woman from the African Diaspora in Europe.
Numbers for the open class will be limited so please register your place.
16.00 – 17:00 Networking event with ADAD led by Judith Palmer: find out more about ADAD, tea and coffee provided.
17.15 – 19:00 Evening programme:
There will be a panel discussion: ‘Overview of dance in Birmingham 1970s and 80s’. The panel will include Bob Ramdhanie, Gail Parmel, Ian Parmel, Christy Adair, Funmi Adewole, Ramsay Burt and Jean Johnson Jones.
19.00 – 19.30 The evening will conclude with performances from ACE Youth, ACE Graduates, plus a preview excerpt from Mana: ACE dance and music's new international production.
Attendance is free but places must be booked in advance. Please contact Kate Jackson, Programme and Marketing Assistant, DanceXchange to book
E: kate.jackson@dancexchange.org.uk T: 0121 689 1092
A VENIR :
Date : 25 octobre, 11h-17h30
Who: this event is aimed at dancers, dance students and researchers and anyone with an interest in the work of Black British dancers. Dancers are invited to take part in the class, non dancers are welcome to observe. You can attend all or parts of the programme.
This is the third Roadshow of the British Dance and the African Diasporas Research Project led by Christy Adair (York St John University) and Ramsay Burt (De Montfort University). The project aims to find new ways of generating and recording memories from those involved in professional dance activity. It seeks to celebrate the achievements of black dancers whose histories are often overlooked, to re-contextualise the work of Black British dancers and to add to the transatlantic knowledge of African cultural diasporas.
Roadshow Three will explore memories of those Black British dancers who were involved with dance since the 1970s with particular focus on Kokuma Dance Theatre Company and ACE dance and music "ACE dance and music look forward to participating in this dialogue celebrating the achievements of Black British dancers and choreographers. Birmingham was a key centre in the 1970s and 1980s in Britain for the development of African and Caribbean People's Dance and continues to be so, and thus we are excited that this event will now be taking place in ACE's home city." (Gail Parmel, Artistic Director of ACE dance and music)
14.15 – 15.45 Introduction: participate or observe Gail Parmel teaching open class with Music Director, Ian Parmel. Gail is Artistic Director of ACE dance and music which she founded with Ian Parmel in 1996 after working with Kokuma Dance Theatre Company. In 2011 she was nominated one of the Cultural Leadership Programme’s 50 Women to Watch and has now been voted as one of 20 inspirational woman from the African Diaspora in Europe.
Numbers for the open class will be limited so please register your place.
16.00 – 17:00 Networking event with ADAD led by Judith Palmer: find out more about ADAD, tea and coffee provided.
17.15 – 19:00 Evening programme:
There will be a panel discussion: ‘Overview of dance in Birmingham 1970s and 80s’. The panel will include Bob Ramdhanie, Gail Parmel, Ian Parmel, Christy Adair, Funmi Adewole, Ramsay Burt and Jean Johnson Jones.
19.00 – 19.30 The evening will conclude with performances from ACE Youth, ACE Graduates, plus a preview excerpt from Mana: ACE dance and music's new international production.
Attendance is free but places must be booked in advance. Please contact Kate Jackson, Programme and Marketing Assistant, DanceXchange to book
E: kate.jackson@dancexchange.org.uk T: 0121 689 1092
A VENIR :
British Dance: Black Routes
Symposium
Lieu : International Slavery Museum,
Albert Dock, Liverpool waterfront
Albert Dock, Liverpool waterfront
This symposium will explore the experiences of Black British dancers, highlighting their contributions to British dance. The day will include panel discussions, interviews with local dancers and sessions with the exhibition curators. The event coincides with the British dance: Black routes exhibition at the International Slavery Museum (13th September 2013 - 23rd March 2014).
This is a free event and online booking will open in September. For further information, please call 0044 151 478 4456.
Voir la page Facebook de l'événement
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Royal Historical Society Symposium
Intimacy, Power and Authority in European Perspectives
Bath Spa University, Corsham Court
18 OCTOBRE
Friday 18th October
Conference day (free to attend and open to all)
9am Arrival, registration and coffee (Main House)
9.40am Welcome (The Barn)
Session 1: Intimacy and Power in Pre-modern Europe
Room: The Barn
Chair: Prof. Elaine Chalus, Bath Spa University
Dr Conrad Leyser, Oxford University
Intimacy and Power at a Distance in the Early Medieval West
Dr Bronach Kane, Cardiff University
Intimacies in the Parish: Gender and Authority in Medieval England
Dr Alan Marshall, Bath Spa University
Suspicious Minds: Political Murder, Reason of State, and Morality in Seventeenth-century Europe
Discussion
11.30am Coffee (The Barn)
11.45am
Session 2: Intimacy and Embodiment
Room: The Barn
Chair: Dr Joanne Bailey, Oxford Brookes University
Dr Stephen Gregg, Bath Spa University
Daniel Defoe and the Intimacy of Humans and Brutes
Dr Robert Boddice, Freie Universität, Berlin
Rational Intimacy? Karl Pearson, Francis Galton and the Politics of Sympathy
Prof. John Strachan, Bath Spa University
‘Rebellion with Hurleysticks’: Sport, Shopping and Subversion in Dublin, 1907-1922
Discussion
1.30pm Lunch (Main House)
2.30pm
Session 3: Intimate Communities
Chair: Dr Alan Marshall, Bath Spa University
Dr Sarah Hackett, Bath Spa University
Keeping up with the Khans: Ambition and Authority amongst Immigrant Communities in British and German Neighbourhoods, c. 1960s-1990s
Prof. Elaine Chalus, Bath Spa University
Love and loneliness: Family and Navy in the Freemantle Papers, c. 1801-1814
Dr Olivette Otele, Bath Spa University
Power and Political Culture: British and French Abolitionism in the Nineteenth Century
Discussion
4.30pm Coffee (Main House)
5pm Keynote lecture (The Barn)
Chair: Prof. Peter Mandler
Dr Joanne Bailey, Oxford Brookes
‘English Manly Intimacy and Power in Representations of St George and the Dragon c. 1750-1950’
Closing Remarks and Discussion
vendredi 4 octobre 2013
LUNDI !
Séminaire danse / cinéma
La Fémis / Centre national de la danse
7&8 octobre 2013
« Tout d’abord, une évidence : danse et cinéma ont un profond point commun. Tous les deux sont des arts du mouvement. Comment un danseur traverse une scène, comment une actrice traverse un plan, sont une façon de dire comment ils habitent le monde : avec vitesse ou lenteur, avec joie ou tristesse, avec les autres ou sans eux. La rencontre entre danse et cinéma était donc inévitable et elle eut lieu bien des fois. Mais d’un autre côté, elle n’allait pas de soi. Qu’on y réfléchisse un instant : si la caméra prend en charge le mouvement, pourquoi les corps iraient-ils danser ? Et si les corps dansent, comment la caméra doit-elle bouger ? De ces deux arts du mouvement, lequel doit prendre le dessus ? La grandeur de Fred Astaire tient, bien sûr, à ses qualités de danseur : élégant, gracieux, délié, maître de la vitesse. Mais sa grandeur tient aussi à ce qu’il a très tôt compris le problème. Dès les années 1930, il insiste sur le fait qu’il ne faut pas sacrifier la danse : plutôt des plans séquences que des séquences montées ; si possible les corps entiers des danseurs à l’écran ; pas de contrechamp sur le visage des spectateurs. Gene Kelly n’était pas du tout d’accord. Il croyait à une existence beaucoup plus pacifique, et collaborative, du danseur et de la caméra.
Les chorégraphes aussi ont appris du cinéma dans un rapport parfois problématique : si Pina Bausch a repris beaucoup de procédés narratifs du cinéma, si William Forsythe a osé faire un remake chorégraphique d’Alien – subtilement intitulé Alienaction (1992) –, si Meg Stuart a inventé des danses de la peau pour la scène grâce à l’apparition des petites caméras numériques, d’autres chorégraphes se sont confrontés à la dévorante question de l’image sur scène. Comment mettre des images sur scène, images qui attirent inéluctablement le regard, et comment leur faire face avec nos simples corps d’humains. À leurs façons, ils ont tenté de répondre à ce défi. »
Stéphane Bouquet, écrivain, scénariste, critique de cinéma
Lundi 7 octobre à la Fémis
Mardi 8 octobre au CND Pantin / Île-de-France
Programme :
Lundi 7 octobre 2013
9h30 > 10h : Ouverture des journées par Marc Nicolas, directeur général de La Fémis et Monique Barbaroux, directrice générale du Centre national de la danse
10h > 10h30 : Présentation du séminaire par Stéphane Bouquet, écrivain, scénariste, critique de cinéma
10h30 > 12h : Claude Mouriéras, cinéaste ; projection d'extraits de Montalvo et l'enfant (1988, 73 min.)
12h > 12h15 : Pause
12h15 > 13h30 : Christian Rizzo, chorégraphe
13h30 > 14h30 : Pause
14h30 > 15h30 : La comédie musicale, par Carole Desbarats, critique et historienne du cinéma ; projections d’extraits de films
15h30 > 17h : Olivier Ducastel, cinéaste et Sylvie Giron, chorégraphe ; projection d'extraits de films
17h > 17h15 : Pause
17h15 > 19h : André S. Labarthe, réalisateur, critique ; projection de William Forsythe au travail (1988, 56 min.)
Mardi 8 octobre 2013
9h30 > 10h30 : Accueil par Monique Barbaroux, directrice générale du Centre national de la danse et visite du CND
10h30 > 11h30 : Michèle Noiret, chorégraphe
11h30 > 12h30 : Hervé Gauville, historien de la danse
12h30 > 13h30 : Gilles Jobin, chorégraphe
13h30 > 14h30 : Pause
14h30 > 15h30 : Christophe Wavelet, historien de l’art et critique
15h30 > 16h15 : Anne Nguyen, chorégraphe
16h15 > 16h30: Pause
16h30 > 17h30 : Daniel Dobbels, chorégraphe
17h30 > 18h : Conclusion du séminaire par Stéphane Bouquet
mardi 1 octobre 2013
PROGRAMME : Laban Event 2013 (Italie)
LABAN EVENT 2013
10-13 ocotbre
Monte-Verita (Italie)
Nel 2013 ricorre il centenario della prima Scuola Estiva per le Arti di Rudolf Laban al Monte
Verità Ascona, luogo conosciuto negli ambiti della danza, del teatro e delle terapie
espressive europee e mondiali come sito di ricerca e di studio.
Per celebrare questo centenario si incontreranno al Monte Verità dal 10 al 13 ottobre 2013,
ricercatori e studiosi di fama internazionale come Valerie Preston Dunlop, consulente e
membro onorario Trinity Laban UK; Eugenia Casini Ropa, studiosa della danza Italia; Peggy
Hackney, presidente “Integrated Movement Studies”università di Berkeley, California, USA;
Claudia Rosiny, responsabile per la promozione della danza e del teatro presso l’Ufficio
Federale della Cultura Svizzera; Alessandro Pontremoli, docente di Storia della danza
presso l'Università degli Studi di Torino; Evelyn Doerr, ricercatrice e scrittrice, Germania;
Rosa Maria Govoni, co direttore dell’istituto di psicoterapia espressiva ATI, Italia; Rosemary
Brandt, coordinatore e docente Choreological Studies, Trinity Laban UK; Regina Miranda,
presidente e direttore dell’istituto di Arte e Cultura LIMS, NY, USA; Alison Curtis-Jones,
coreografa docente e ricercatrice Trinity Laban, UK; presenteranno al pubblico e ai
partecipanti indigeni e internazionali gli orientamenti che si sono sviluppati a partire dalle
scoperte di Rudolf Laban.
Con uno spirito contemporaneo e con le conoscenze di oggi, il LABAN EVENT 2013 diviene
teatro di avvicinamento, condivisione e approfondimento delle diverse applicazioni del
complesso sistema dell’arte del movimento di Laban nei suoi principi teorici e pratici, oggi
ampiamente documentati.
C’è un desiderio concreto da parte delle persone che conoscono, sviluppano e applicano i
principi di Laban d’incontrarsi e quale posto migliore del Monte Verità, Ascona, nel
centenario della “prima scuola per le arti” per dare vita ad un evento internazionale.
LABAN EVENT 2013 è promosso e organizzato da Nunzia Tirelli, ricercatrice e studiosa
contemporanea dell’arte del movimento di Laban, co fondatrice di Con_creta a Mendrisio,
performer, insegnante, CMA (Cetified Movement Analyst) e coreologa SDCS (Specialist
Diploma Choreological Studies), con la partecipazione di PerCorpi Visionari, Coorpi
(Coordinamento Danza Piemonte), Progetto Interregg, LitroCentimetro, La fabbrica.
La realizzazione dell’Evento si è resa possibile grazie al sostegno della Repubblica e
Cantone Ticino - Fondo Swisslos e della Fondazione Monte Verità.
Ringraziamo il Teatro del Gatto per il sostegno della serata del 10 ottobre, il Teatro San
Materno per il sostegno della serata del 12 ottobre, il Dipartimento della divisione della
cultura e degli studi universitari per l’accompagnamento.
Programma
Giovedì 10 ottobre
15:00 Auditorium Apertura LABAN EVENT 2013
15:30 - 18:30 Sala Balint Alison Curtis Jones - UK
Laboratorio Coreologico - Dynamic Body
15:30 - 18:30 Sala Gioia Rosa Maria Govoni - I
Laboratorio - Movimento Autentico
20:30 - 22:00 Teatro del Gatto Evelyn Dörr - D
“So, go ahead Ladies...” conferenza e presentazione
Presentazione pubblica dei lavori di ricerca
“Choreological Studies”
Venerdì 11 ottobre
9:00 - 9:30 Monte Verità Qi Gong con Marianne Steele - USA
Meditazione Coreutica con Nunzia Tirelli - CH
9:45 - 12:45 / 13:30 - 16:30 Sala Balint Alison Curtis Jones - UK
Laboratorio Coreologico - Dynamic Body
9:45 - 12:45 / 13:30 - 16:30 Sala Gioia Peggy Hackney - USA
Laboratorio Somatico - Integrating Polarities
17:00 Parco Monte Verità “Laban Training Area”
Inaugurazione, Miki Tallone (Swiss Art Award 2012)
17:30 - 20:00 Sala Eranos Eurolab Annual Meeting
20:30 - 22:00 Auditorium Conferenza Pubblica con -
Eugenia Casini Ropa - I
La lezione del Monte Verità tra passato e presente
Valery Preston-Dunlop - UK
Coinvolgimento Contemporaneo con il Passato
Sabato 12 ottobre
9:15 - 9:45 Monte Verità Qi Gong con Marianne Steele - USA
Meditazione Coreutica con Nunzia Tirelli - CH
10 - 13 / 14 - 17 Sala Balint Rosemary Brandt - UK
Laboratorio Coreologico -
Architecture of the Dynamic Body
10 - 13 / 14 - 17 Sala Gioia Peggy Hackney - USA
Laboratorio Somatico - Integrating Polarities
17:30 - 18:30 Auditorium Regina Miranda - USA
Conferenza - Body-Space Connections (BSC):
Embodying Change
18:30 - 18:45 Auditorium Francesco Buzzi - CH
L’architettura che danza.
Un nuovo padiglione al Monte Verità
20:30 - 22:00 Teatro San Materno Presentazione pubblica dei lavori di ri-creazioni
“Rudolf Laban’s Nacht and Suite ’24”
a cura di Alison Curtis Jones - UK,
Valerie Preston Dunlop - UK e
Musicista Oli Newman - UK
Domenica 13 ottobre
9:30 - 11:00 Auditorium Tavola Rotonda (evento pubblico)
11:30 - 12:30 Monte Verità Coro di Movimento (pubblico)
coordinato da Nunzia Tirelli - CH
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